Foxy!

This month we were inspired by poems about foxes from Ted Hughes, Alice Oswald and R Williams Parry (below) .

The first fox over the line was Alison’s – such a quick brown fox that it out-foxed us by arriving early and going to ground, as foxes do, before popping up again!

This was followed by Rachel’s foxy fellow inspired by the Welsh poem Y Llwynog by R Williams Parry. And next was Trish’s carefree fox dashing through the undergrowth! And then Chrissie’s, inspired by Ted Hughes’ The Thought Fox, appeared out of the snow…

His red fur slid over the ridge;

It happened, it ended, like a shooting  star.

Y Llwynog

Y Llwynog

Ganllath o gopa’r mynydd, pan oedd clych

Eglwysi’r llethrau’n gwahodd tua’r llan,

Ac annrheuliedig haul Gorffennaf gwych

Yn gwahodd tua’r mynydd, – yn y fan,

Ar ddiarwybod droed a distaw duth,

Llwybreiddiodd ei ryfeddod prin o’n blaen

Ninnau heb ysgog ac heb ynom chwyth

Barlyswyd ennyd; megis trindod faen

Y safem, pan ar ganol diofal gam

Syfrdan y safodd yntau, ac uwchlaw

Ei untroed oediog dwy sefydlog fflam

Ei lygaid arnom. Yna heb frys na braw

Llithrodd ei flewyn cringoch dros y grib;

Digwyddodd, darfu, megis seren wîb.

The Fox – R Williams Parry  (Translated)

One hundred yards from the top of the mountain, when the peal

Of the churches on the slopes were inviting us towards them,

And the unspent sun of glorious July

Inviting us towards the mountain – right there,

On an unknowing foot and quiet trot

His rare beauty wandered in front of us

We, without movement and without a breath

Were paralysed a moment, like a trinity of stones

We stood, when in the middle of an uncaring step

He too stood frozen in space, above

His one tentative foot the two steady flames

Of his eyes upon us. Then, without hurrying or panic

His red fur slid over the ridge;

It happened, it ended, like a shooting  star.

R Williams Parry 


 

Thought Fox

I imagine this midnight moment’s forest:
Something else is alive 

Beside the clock’s loneliness
And this blank page where my fingers move. 

Through the window I see no star:
Something more near

Though deeper within darkness

Is entering the loneliness:

Cold, delicately as the dark snow,
A fox’s nose touches twig, leaf;
Two eyes serve a movement, that now
And again now, and now, and now

Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come

Across clearings, an eye,

A widening deepening greenness,
Brilliantly, concentratedly,
Coming about its own business

Till, with a sudden sharp hot stink of fox

It enters the dark hole of the head.

The window is starless still; the clock ticks,

The page is printed. 

Ted Hughes

Fox

I heard a cough

as if a thief was there

outside my sleep

a sharp intake of air

a fox in her fox-fur

stepping across

the grass in her black gloves

barked at my house

just so abrupt and odd

the way she went

hungrily asking

in the heart’s thick accent

in such serious sleepless

trespass she came

a woman with a man’s voice

but no name.

Alice Oswald

Collage collection

We were introduced to the work of Welsh artist Edrica Huws, by Chloe Needham, for a collage inspired by the patchworks Huws specialised in.

Quick off the mark for this was Trish with an enticing exotic view, followed by Anne’s striking coastal scene, Mavis’s island haven, Rachel’s tropical paradise and Chrissie’s palm beach !

Just in is Bethan’s vision of paradise (bottom right) and Gemma’s bountiful Autumn woodland scene!

Seriously stunning ceramics!

Our ceramics supremo, Sue King, had created dozens of beautiful vases for a project that has been scuppered by CV19.

Not to be defeated, Sue generously donated them to Still Life for members to paint them as they wished.

Just in… top row are Anne’s vase in dazzling sunset colours, Chrissie’s minimalist pattern with peacock feathers, and next to that Rachel’s in her favourite colour – blue – used to real effect in the circles.

Next row are three views of Gemma’s gorgeously decorated pot – each side with a different pattern..

The blue theme continues with Mavis’s peacock-inspired vase, and Jill’s (yes! it’s me at last..) blue vase with trademark gold trimmings, and then Alison’s in bright, post box red .

Bottom row- Jayne’s Art Deco-esque pair of pink and black pots and Beth’s in classic Habitat-esque umber and orange ..

And at the bottom, Sue’s vases in their unadorned, original state.

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We must go down to the sea again…

This month’s (August) poems were all about the sea-To The Sea by Philip Larkin, Sea Fever and Cargoes by John Maesfield.

Chrissie’s moody seascape is inspired by sunset off Llanddulas, Rachel captured Larkin’s description of a traditional paddling and rockpooling day out, while Menna (centre) was inspired by Maesfield’s To The Sea, as was Trish with these watercolour sailboats.

The photo, meanwhile, is of a driftwood sign that appeared during lockdown, overlooking the sea off Conwy Morfa.

A room with a view

Sue’s challenge this week was to capture the view from your window – and put a frame around it!

The most recent view has come from Chrissie of her flowery paradise exhibited on reclaimed shelving..

First in was Mavis with a framed flowery vista… then came the colourful views from Rachel (centre) and Gemma’s windows.

And below, Trish’s intriguing Conwy roofscape.

Our exhibition

Painting the poem has been one of the most popular challenges each month, since we started Art in a Box – the at-home version of Still Life.

Those paintings – below – are now on show on the windows at Conwy Culture Centre – and can be safely seen outdoors, from the park.

There are tables in the sensory garden, adjacent and, if you’re lucky there may even be music as local buskers have been playing there recently. The outdoor cafe is also open.

The Poems

Adlestrop by Edward Thomas

Daffodils by William Wordsworth

Fern Hill by Dylan Thomas

Under Milk Wood by Dylan Thomas

The Owl and The Pussy Cat by Edward Lear

The Eagle by Alfred, Lord Tennyson

The Lake Isle of Inisfree by WB Yeats

The Way Through the Woods by Rudyard Kipling.

I Saw a Peacock with a fiery tail  – Anon (17th Century)

Paper Flowers

Paper Flowers? No, not the sentimental 1970s ballad… these vibrant bouquets are Wycinanki  – a traditional Polish paper cutting artform, set for us by Chloe Needham.

First to bloom were a vibrant pair by Trish (left). The perfect windowsill brightener you don’t have to water!

They were closely followed by Rachel’s exuberant mini-garden (left below), Mavis’s lively duo (centre) and Gemma’s statement bloom (right) and Chrissie’s too!

Always nice to have a late blooming flower to to extend the season – Jayne’s (bottom right)

Painting the Poem – Under Milk Wood

This month’s poems were all about the night – Under Milk Wood by Dylan Thomas, The Listeners by Walter de la Mare and The Smugglers Song by Rudyard Kipling.

The first two in were inspired by Under Milk Wood and its uforgettable introduction: “It is Spring, moonless night in the small town, starless and bible-black, the cobblestreets silent and the hunched, courters’-and- rabbits’ wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboat-bobbing sea…

Rabbits, rabbits, rabbits!

Without doubt, these are the most adorable rabbits you will see this year – and, what’s more,  they won’t eat your newly planted salad leaves!

These felted bunnies were inspired by our felting supremo Beryl Naybour.

Chrissie’s  rabbit (left) is called Harvey, then there’s Anne’s top right, Rachel’s bottom left and Trish’s bottom right..

Just hopped in ….Beth’s white rabbit… and even in November – a late flowering snow rabbit fom Gemma.

As we said earlier, you know what rabbits are like … there could still be more to follow!